music

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Sunday, June 19, 2016

One Week Later: Processing the Pulse Massacre as a Queer Adult

by Madelyn Gelpi

Trigger Warning: This post contains information relating to self-harm and suicide which may be triggering to those who have experiences with these subjects.
_______________________________________________________________________________



I vividly remember the conversations that followed coming out for the first time. My eyes felt raw, my skin felt open, and everything inside of me shook and ached. I remember hugs from my mom and dad, closed-door conversations where I sat and quietly cried to them. I remember the slow, heavy words that came out of my mouth, words dripping with tears, words caked with the pain of so much silence.

The worlds of hurt I had held inside of me for years slowly poured out, caught by the love and acceptance of my parents who taught me the true meaning of unconditional love, kindness, and self-worth.

From then on (and in times past) the love I received from my parents acted as a net of comfort that kept me from falling permanently into depression and anxiety even in the most difficult of moments.

Each and every day, I know how lucky I am to have this. I am so lucky to have parents who love me.

In the days following my coming out, however, an odd fear began to cultivate inside of me. I began to fear anger. I was not and am not an angry person. Throughout my whole life, anger always just sort of turned into sadness. Or, I could just understand why someone did what they did and move on quickly. I forgive easily. I love unconditionally. I try to see all perspectives before approaching anything. But, even then, I knew that there would come a day when I would be able to feel all of the anger that one develops from oppression and discrimination, from seeing and feeling so much wrongdoing against oneself and others.

I haven't felt this anger until last Sunday, when 49 people died at the LGBTQ club, Pulse, in Orlando.

The 49 victims, their stories... When I think about them I feel a knot in my throat so big I can’t swallow. My heart sinks every time I think about Eddie Justice or every time I watch that video of the mother who can’t find her son. ‘Is he alive?,’ she wonders, she cries. So much confusion and fear. She made him, she loves him, she can’t bear the thought of him being gone. Yet...

They were lovers, friends, families… all stricken down with bullets or grief or trauma. Laughing in one moment, death raining down minutes later in a place they thought they were so safe.

And, no. I'm not Orlando and I thank god I'm not. I thank god I'm alive. I thank god that I was not in a club with bullets and blood and screaming and a maniac who didn't care that they were all people, sons, daughters, sisters, brothers, parents, lovers, friends, god damned humans.

The amount of empathy and pain I feel for you, Orlando, is beyond words. I can only express my deep sorrow to the families, friends, and partners who lost someone they loved so much. I know that your pain is so heavy. I know that the world feels so very dark right now. You are so much in my thoughts every moment. I don't know what to do to make it better.

I write this letter now to try to articulate my thoughts, to process what happened, or to send out a message that I hope resonates with someone out there. In reflecting on all of it, I reflect on my past, and the things that can lead to the violence that occurred last Sunday.

A heavy pot of grief and anger boils inside of me, as I’m sure it does many of you, too. There are so many things involved in what happened that I don't know how to process. So many things I don't want to process or even think about. It's all so complicated. It's all so tied together.

And we hear it all everyday...

We hear:

Pulse
ISIS
Donald Trump
Build the wall
GOP won't recognize LGBT death
Gun control
Assault-style rifle
Terrorism
Religious freedom bills
Islamophobia
Make American Great Again
Homophobia
Transphobia
no perverts in bathrooms
Racism
Police Brutality
Don't Shoot
He was innocent
or
she was innocent
he is guilty
rape
alcohol
bicycles
war
poverty
but they do nothing

or

why
don't
people
care?

why
don't
we
do
anything?


I think of my momma and how she read me sweet stories when I was little, when I could never imagine that the world would be so complicated.

and I think: Momma, I can't stand it. I can't understand it. Who forgot to teach their son how to love? Who forgot to show this person kindness? Why don't people listen to one another like you taught me to listen?

And I am filled with anger. Because even now, after the death of 49 people, so many of them still don't listen. It's all just one big fight about guns and ISIS and Donald Trump and Islamophobia and homophobia and policies and politics and the list goes on. It feels like no one is listening to one another. Sometimes, I get afraid of the future. I fear the day when I will one day have to try to explain to my children how or why people commit acts of hatred against one another, how or why people can be so vile, how or why people can be so...inhumane.

When I was small, I had a "Save the World" themed birthday party and it was so simple. There was a cake with blue and green frosting made to look like earth and I imagined that all of the people on that earth loved each other. And when things were hard, people loved each other harder, and that was it.

But, Momma, all of those ideas feel far away.

Those 49 people were so beautiful. They just wanted to be free and alive, just like I want to be free and alive. They just wanted to laugh and dance and love and be themselves in a world that told them they shouldn't.

But they had that safe space. They had that place to be.

And someone took that away.

And now,
I can't stop thinking about all of the times in my life when I have thought about death.
I can't stop thinking about all of the times in my life when I felt targeted and hurt.
I think of the days before my big drive to California with you and the arguments I had with Daddy about the stickers on the back of my car.

I think of the morning we would depart to California, how he woke up before me so that he could scratch the very obvious LGBTQ equality stickers off of my car, so that we would be safe on our journey driving across the south.

Because he knew people could be violent. Because he knew that some people would want to hurt me. Because even though he accepted me with all of his heart, other people didn’t.

I remember quietly staring at the scratched off bits of stickers in his hands, staring at his face that said he was sorry, an unspoken reminder that my daddy was afraid for me. Because he knew what people could do.
And, Daddy, I knew, too. I hope you know that I understood and love you.

Pulse reminds me that it’s always been life and death.

It was life and death so many years ago, when I laid in bed at night, clenching my fists, crying and crying and crying because no one knew me, and “God hated me,” and I loved but shouldn’t love and oh how I wanted to change and there was a knife on my shelf and I could just

I think of the times I placed the knife against my skin,
the times I stopped and put it back on the shelf,

but more importantly

the times I didn’t
the times I pulled the knife across, slowly and fiercely, with a self-hatred that grew in me,
a self-hatred fed by:
“gays deserve death”
“perverts”

that goddamned lonely closet

and the times that I watched my blood seep out,
blood that made me so sad,
blood that I hated because it was my blood and it came from inside of me

blood that confused me
because it was red like everyone else’s blood

and confused me
because my heart could beat, too, like everyone else’s heart

and confused me
because I thought I was gentle and good and kind

but
the world told me I was not.

It told me:
Gays are perverts,
pedophiles,
abominations, and
God hates fags, and
fags brought Katrina to New Orleans and

I don’t think people realize, even now, that when I look inside of myself I see that I am built by all of these things.

I am built by the
“I don’t want her and her partner around my children at Christmas”
the “I love the sinner but hate the sin”
the “It’s sick and wrong. You’re supposed to fight it”
the "They're out to get your children"
the "I wish the guy had killed more of them"

I am built by
the hands that were too scared to hold mine back and
the stares from others even when we weren’t scared

I am built by
the years of self-hatred and loneliness
the thoughts of suicide
the social norms that told me I shouldn’t exist
the ever present concern of violence

My love for others has been invalidated throughout my life.
My identity has been invalidated throughout my life.
I have been told I should not be alive.
I have been told I am not equal.
I have been told that I do not matter as much as you.

People need to understand that we are conditioned by our environments. It's not just about policy. It's about sentiment, words, and actions. Words can hurt so much. Words can break people down. They can move people to do things. Wonderful things, terrible things.

Even though I have the most accepting family in the world, the sentiment and words of others still got to me.

Like the time I threw up at my friend's house in junior high school because I had thoughts of kissing her. I remembered the horrible things she and her family said about gay people. I became so afraid of those thoughts and feelings that that I couldn't keep it inside anymore and
everything came out of my stomach and
I told her I was just sick. I was fine.
Just give me a minute.

or like the time the parents in Alabama escorted their children out of the hot tub when they realized my girlfriend and I were in there together, too, holding hands, loving and happy.

I still remember that specific moment in the hot tub more than the moment later that night
when we laid on the beach, under the stars, listening to the ocean,
when she held me and told me she loved me.

And it's not just actions that make a difference, it’s sentiment, too.
I can't tell you how many hands have been pulled from mine,
scared lovers who didn't want others to know they liked women, didn't want to be judged or known.

We'd be holding hands or something, and, suddenly, someone else would enter the room.
Even if I finally felt comfortable in my own skin, she didn't, because others still made her feel wrong about it,
and what if her parents found out? and what if they didn't love her anymore?
It's heartbreaking to think about what that kind of sentiment can do to someone, even someone who is trying so hard to be themselves and love someone else freely.

Because I don't understand why anyone would think it was wrong.
I just cared about the depth in her eyes
or the way she felt in my arms
or how bright the world felt when I was with her
or her sweet voice and all of the beautiful things she said
and how much I loved her.

Since the attack in Orlando, I have been trying to find the words to articulate why this all cuts so deep.

This was an attack against the LGBTQ community, my community. This was an attack in which someone felt enough justification in their negative sentiments towards the LGBTQ community that they committed a massive act of violence that killed 49 of us.

In many ways, I can’t help but feel that what happened in Orlando was an extension of the hatred that exists in America just below the surface of violence.

Anti-LGBTQ bills, lack of protection in schools, jobs, bathrooms, healthcare facilities, etc.
The little things people say everyday to LGBTQ people when they are uncomfortable and/or intolerant.
Exclusion justified by religion. The very idea that same-sex love or different gender identities are abominations, gross, or morally wrong.

These ideas and actions, like those I have articulated earlier in this letter, all connect and build.
They build the fabric of justified violence. They build a fabric of hurt and isolation and oppression.

We have to notice this. We have to see this pattern in society. And, above all things, we have to address it.

Not even a day after the Orlando massacre, American people said that more people should have been killed at Pulse. Let that sink in. People, some who act as leaders in churches, said that more individuals should have been killed in the largest mass murder in U.S. history.

I can’t comprehend that kind of thinking.

This sentiment—this sentiment that anyone at all is less than, unworthy, or deserving of death—has to stop. Throughout my life, I have been kept hopeful by the idea that the world is good. The simple idea that we we all want the same basic things in life. We all just want to be happy. We all just want things to work out for us, to have the things we need for ourselves and the people we love, to survive in whatever capacity we might survive.

We as a society have to start taking a more active role in loving one another. We have to take a greater stand in caring for each other, to see one another as beautiful and important and worthy.

We have to take greater action in trying to understand someone's unique experiences, thoughts, and feelings.
We can't build walls.
We have to stop judging one another.
And hating one another.
And fighting.

I hope you hear the urgency. Our world depends on this.
Hope, love, kindness: these are not fluffy ideas that have no true effect.
These are ideas that matter. Ideas that make a difference in moving us forward.
Ideas that bring us together in the worst moments.

Help to cultivate a culture of kindness and humanity, not a culture of animosity, discomfort, and division. This is true for all sides, even when it’s difficult. Share your love for others, embrace community, and humanize everyone. One of the worst mistakes I believe we can make as individuals and as a society is to dehumanize another person. Even if you disagree with someone else’s perspective, try to empathize, understand, and have an actual in-person conversation about it. You’d be surprised by what it can do. Talk directly to others, hear their stories, see the soul in the skin. My LGBTQ folks who are hurting, allow those who have wronged you to grow and learn, as many people just don’t get it yet. They will.

After such great tragedy and in such divided times, we have to start being intentional about the kindness and level of good we create in the world. It’s important. It’s necessary. It’s everything.

Our future depends on how we deal with this great loss and what meaning we choose to take from it. What we do now and next makes all of the difference.

"And for that brief moment,
I heard the whole earth groaning
like there was something that it needed me to do."
–Wild Sweet Oranges

Monday, November 12, 2012


Long  time no talk, lovelies! Life has been quite busy back here in Louisiana. This Thursday, I have a show  with Tom Gillis on drums at The Big Top Three Ring Circus with the UK's Hugh John Noble and Pancake of New Orleans. I'll be playing some new stuff! Annnnnnnnddddddd, I have many sounds and recordings and new things to share with you here. Some of it all will come quite soon!

In the meantime, I've got a bit of a treat for you today. (Sorry for taking so long to get this one up!) At Montecito, I was able to perform one of my recent favorite songs, "Tiger Mountain Peasant" by Fleet Foxes, with Moira Johnston, an awesome singer from good ol' California.  We were really excited about performing it together, and managed to get this rough recording on my little iPod. The sound quality is not the best, of course (iPods are no Shures, Rodes, etc..).. But, I kind of like the raw nature of it all :) Enjoy!








Hope all of you are well!


Tuesday, September 4, 2012

"Little Talks" by Of Monsters and Men (live recording feat. Grant Lewis)

The internet is temporarily strong enough to put a sound up! Woot!

So, here at Montecito, there exists a night each week in which people of all shapes and sizes perform poetry, music, and other various things that are awesome. I am very lucky to be able to perform with many talented musicians throughout my weeks here on the mountain. One of these wonderful people is Grant Lewis, an incredibly fantastic and friendly KILT with an beautiful voice and lots of musical talent.

Here is a live recording of us performing "Little Talks" by Of Monsters and Men. (It's not the best recording ever. Twas recorded on my iPod. Even with a little editing, I could not get the cracklies out. Still worth listening, though! The rawness is a part of the beauty!)



Enjoy!

More sounds to come soon. The next cover will be "Tiger Mountain Pheasant Song" by First Aid Kit featuring the lovely Moira Jo.!  Woot :) Trying to edit out the cracklies a bit more.

On another note, thank you to everyone for all of the support I have been receiving lately. Whether it's been through words of wisdom and encouragement, notes of appreciation, instrumental and vocal accompaniment/song advice, help finding studios, donating money through bandcamp/iTunes/etc., or any other random support form like hugs/phone calls/just plain good ol' listening, thankyouthankyouthankyouthankyou from the bottom of my heart. No support has gone unnoticed. Every bit of it has kept me inspired to be a better songwriter, and just a better person as a whole. I feel very blessed to have so many people in my life pushing me forward to achieve the things I feel I need to achieve.

Living here in California has been one of the best choices I could have ever made in life...and honestly, the support from here and from back home is what makes it so incredible. So, thank you all so much for everything along this journey.

There are many great musical happenings coming up ahead on this path, many of which I will soon share with you! Lots of news to share in the next couple of months. 

til next time,

Madelyn




Saturday, July 28, 2012

Hokay! So, yes, I have been neglecting to add new sounds for the past few months. Indeed, there has not been a new sound in quite sometime. Mostly just small little tidbit blogs that are quite vague, blah, blah blah.

Do not fret! I have many, many, many sounds to share with you at some point in the future. However, the internet here on the mountain is not strong enough to upload sounds. Harrumph. So, you must wait. Promise it'll be worth it though. I've found some of my favorite sounds I've ever encountered here. I can't wait to share what I've found!


I just love it here so much. The air is literally sweet, the birds chirp everywhere you walk.

Life feels so full right now.  I couldn't be happier or more appreciative for that.


Gonna sleep nowwwwwwwww. Music and sound coming at some point in the future.





















Thursday, May 17, 2012

Songwriters Anonymous, Loyola University

   4 19 2012 8 34 PM :D by insoundlife


These are people who I already miss dearly, dearly, dearly. This group was one of my favorite experiences at Loyola. The people I met in it taught me more about songwriting than anything I've ever encountered in my life. It's because of them that I keep writing.

The ridiculousness of this recording makes me so happy :D

Monday, April 16, 2012

Psycho Bird Babble

One of my favorite things about New Orleans is the simple fact that people take time out of their day to truly listen and observe the world around them.

The pace of life is a bit slower here, a bit more smell-the-roses on your way to everywhere you need to be sort of mentality. I love it so much. I believe it's one of the reasons New Orleans people tend to be really down to earth. It's because..fundamentally, they really know how to get connected to the world around them.

A few weeks ago, I was riding my bike in Audubon Park, as per usual. It's one of my favorite things in the world to do.. So many interesting people. My favorite of the moment is one lady in particular who I have named "Swan Lady." I've seen her a few times, swaying back and forth, walking along the path around the park, her arms folded behind her back, with her neck craning delicately this way and that. She always has a bit of a smile on her face. I always wonder what she is thinking..

Anyway, a few weeks ago, I happened to notice the majestic Swan Lady standing close to the pond near the golf course, craning her head around, up and down, back and forth. As I approached in curiosity, I noticed many others around her doing the same. Only until I stepped off of my bike and removed my headphones did I see the chorus of birds diving gracefully yet excitedly above. If I was better at estimating (and I'm not), I'd say there were thousands of birds above us. In swollen waves of white, they dove down into the water to paddle and float, caw and babble.

It was such a beautiful moment to watch the birds fly in and out all together. To hear the rush of their wings as they began their ascent back into the sky and descent back down into the water. It was so comforting to sit amongst so many people who felt the same amazement and deep appreciation as I felt then and often.
I truly love New Orleans. The people here are amazing..

Here are the sounds I captured:

My Songwriter Loves

John Paul, Lacy Rose, and Kristen Olsson are some of the most talented musicians and greatest people I know. After a long time of being apart, with me being DC and Lacy being in Austin, Kristen, Lacy, and I were able to play a show together at the Neutral Ground in February.

Twas a wonderful night of sharing songs and listening. A good solid two hours of heart and soul...and everything in between.













[ http://ebro.bandcamp.com/track/every-time-i-hear-your-name << a link to download a different recording of the song..]

The next day after our show, we got together with our good friend, John Paul for an impromptu jam session. This is one of the results.

I pretty much just wanted to post this so I can remember it forever.

These people are beautiful, inside and out.

Wednesday, April 11, 2012

Out there, beyond everything else

Over the break, I was really lucky to be able to spend a lot of time outside and away from the computer.[FINALLY.] It seems computers are more and more integrated into my everyday life, whether it be because of homework, film scoring, or composing.

It's so nice to get away... I went camping with a few friends. Twas quite an amazing weekend. I almost feel recharged. Full. And honest. Such an interesting and beautiful feeling..

On the first morning, I giant thunderstorm blew in out of nowhere. We all settled in the cabin and fell asleep.. It's such a relaxing feeling to sleep during a rainstorm. To hear the patter of rain upon glass and the rumble of thunder in the windowpanes.

I'm so happy I caught the sounds of the morning..

Durant, MS




Back at home, one of my favorite things to do is bike back into the swamp... There's something peaceful about the clicking of the bike chain along the path with the wild birds singing in the distance.

West Pearl River--Slidell, LA


Feeling pretty lucky to be alive. :)


Ah, and one more thing. Have any of you heard of Zoe Keating? My God, some of the most amazing and impressive music I have ever heard. Here's a real treat for your ears:


I've been listening to this song all day and can't quite figure out a way to say what I love about it. At around the two minute mark, the cello begins a rather syncopated rhythm against the bass notes. The way the bass notes drone on the same low notes give the song depth and foundation.. Very reminiscent of a lot of Eastern styles of music. Yet, a brief melody in the song (the major second step to the perfect fourth to the major second) seems like something you might hear in a Western pop song. But it all works so well together...It all builds together.

By the way, Zoe Keating is an awesome Canadian born cello player who loops all of her sounds together to make the songs that you hear :) She's worked with Amanda Palmer too... couldn't be anymore awesome. New role model. for sure.

Saturday, March 17, 2012

Mystery sound



Make up a story to go with the sound.

Or, give me your best guess at what it is...or most fantastically awesome guess.

Monday, February 13, 2012

"Another Spring" by John Paul Heiks VI (sung with Lacy Rose and Madelyn Gelpi)


Lacy Rose, John Paul, and myself singing one of John Paul's originals. I love these two people so much.

The lyrics to this song are incredibly beautiful and hopeful in a broken-hearted sort of way...The simplicity of the recording reminds me of an old Tennessee folk tune.
Twas a pleasure to sing with you both, friends.<3

Check out Lacy Rose here:
http://www.facebook.com/lacyrosemusic

and John Paul Heiks VI here:
http://www.youtube.com/user/JohnPaulBassNow

and with his band, Mississippi Rail Company here:
http://www.facebook.com/mississippirailcompany
^^^^amazing rock and roll/bluesy New Orleans style band. Please do check it, if you will.

Sunday, January 22, 2012

Explosions: Ashes by Ebro



My attempt at creating a sound like the band Explosions in the Sky. I wanted to see what it felt like to play what they played. I've created a short film using the music to express the song more deeply..

Saturday, January 14, 2012

My Favorite Music Box

1/7/2012 5:31 PM Music Box by insoundlife

I've heard this tune ever since I was a small child. Every Christmas, my parents hung the large bulbous music box (it resembled a Christmas ornament) on the solid brown door at the front of our house. When pulling the long string to play the song, a sound much like that of a sailboat winch would rip through the bulb.. and then, the soft melody began.

I'm fascinated by how music boxes work. The sound is produced by a tiny cylindrical strip of metal flocked with flat metal prongs. These intricately placed "pins" turn 'round and 'round the cylinder, plucking a steel comb, creating a resonated array of tones at different times. The placement of the pins on the strip determines in which order the teeth of the comb are raked, and, therefore, determines the melody and rhythm of the song. The faster the cylinder rotates, the faster the song plays and vice versa.

Yadda yadda yadda...I'm sure you already know this. But, I thought it would be fun to explain. If you ever want to see it in action, just take a music box apart like I did. Or, just buy a music box where you can see the gears working. It's pretty awesome.

I find the melody of this music box to be particularly beautiful. It's haunting, delicate, and perfect in its simplicity. The notes are blue and aching. A melancholy tune, invoking images of empty dark nights and sorrowful weeping willows.. beautiful..

In my song "Trace of Fuel" on ebro.bandcamp.com , I've manipulated the song by reversing the sound wave timeline and adding various effects to the new sound. You can download and listen to it here:

Saturday, January 7, 2012

Philip Glass

So here we are on a Friday night, the Eve of something big. My thoughts wander around my room as I listen to the cold fresh keys of Philip Glass. I figured this would be a good time to write my blog about him, seeing as I will probably not be sleeping anytime soon.. :)

I wanted to write a blog about Philip Glass because I truly feel that his pieces of music are genius. To be honest, during the first year I listened to Glass, I remained relatively uninterested and unimpressed. (Minus listening to "Truman Sleeps" from the Truman Show..) I found the songs I had listened to to be very simple, repetitive, and minimalistic. (Duh, he's a minimalist, Madelyn. I know..i know..)

I felt this way for quite some time.. And then it clicked. It all clicked in this beautiful and triumph way. His music is genius.. magical.

Glass has a way of creating music that transcends listeners into a completely different and complex world.. Even in his simplest songs, his piano motifs and phrases combined with his extreme attention to dynamics and rhythms have the ability to facilitate very lucid spiritual depth.. In order to truly obtain this experience and profoundness Glass webs into every piece, one must softly attach his or herself to the sound while simultaneously free floating alongside it. I think of it somewhat like holding someone's thumb in your fist only ever so slightly..Both feelings, the feeling of someone holding your thumb and the feeling of holding someone else's. Such a peculiarly loose feeling.. But, a trusting hold nonetheless.

One must let the music guide thoughts.. Closed eyes, open ears, open mind.
In this way, it is possible to see all of the images Glass paints with his music, the open spaces, the in-betweens, the cascading woodwinds and strings, the potential laced in every note. In this way, we begin to hear his music not as a repetitive stream, but a swirling river of thought bubbling with the capability of new growth because of its stable basis. It's so beautiful..
Perhaps, I shouldn't explain it more.. It really is something you have to understand through yourself when you are ready..

A few weeks ago, I sat down late at night and began learning Philip Glass's "Opening." After what felt like five minutes, I checked my clock to find that three hours had passed. Amazing.. Truly immersed in his piece, I saw bright and vibrant images..memories..things I had never before seen.. The music became something else, something beyond music. Like hypnotic ear exercise or something..
I played for three hours and didn't realize it. The song made me forget time. Travel time. I don't know..

"Satyagraha" was much the same experience. I remember during one act I completely forgot where I was..like I had somehow closed my eyes while leaving them open. Like my chair was suddenly this foreign thing beneath me, pressing up against me.
Just incredible...

I think the beautiful thing about his music is that it gives us something to tie our thoughts to as we wander through our minds. It grounds listeners in a steady somethingness that allows for growth and rebirth. All through the clarity of glass.. It's genius. I don't quite understand how he does it.. I analyzed the "Opening" piece.. and it's just so simple. The rhythms are odd, yes. The dynamics are perfectly placed.. As if Glass had some super intelligent knowledge of exactly the right point to place the crescendos and decrescendos to foster a connection with the song.

I don't know. I'm just amazed...Perhaps I'm over-analyzing.. But I just think he's incredible.
I definitely recommend checking out his opera "Satyagraha" if you ever get the chance to see it. It's all about the life and struggles of Ghandi.. Sung in Sanskrit and everything..

Also check out these songs:

"Opening" by Philip Glass


"Island" by Philip Glass


"Escape! (Piano Solo)" by Philip Glass